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Know what a turntable is and you're not a 'dj'?
If so, what's makes up your vinyl collection - or rareties?
Syzygy
16-2/3 (not 16!) was the old slow "talking book" (yes there truly is nothing new under the sun) format that made music soouuunnnddddd stretched - like a winding down Victrola.
In 1925 came the formal 78.26rpm (not 78!) standard based upon a 3600rpm motor fitted with 46:1 gearing and acoustic recording.
At the same time (shades of VHS/betamax!) electric recording allowed equal sound at a slower speed - 33-1/3rpm. In 1948 Columbia offered the "new" LP format free to all comers (shades of IBM PC/Apple!).
RCA refused to participate and released its own 45rpm process (sounds familiar right?). Eventually both companies produced both types.
Record Materials:
78s - shellac
LPs (33-1/3) - vinyl
45s - styrene
Know what a turntable is
If so, what's makes up your vinyl collection - or rareties?
And nothing beats the good fashioned (and bloody expensive) vacuum tube for sound fidelity.
Oh, the old 78s (1910s) are made of a material different from "newer" 78s (getting into the mid 30s).
I learned this the hard way when I tried cleaning some with alcohol. The instructions on the old Edison 78s specifies on the label that alcohol should be used to clean them.
Those instructions are not universal however and I did ruin one or two later records that way. :(
Here's a funny thing. Recently I went to see Michelle Wright, she was launching a book at Chapters and brought her guitar. She was signing autographs afterwards for book buyers.
I brought my near mint condition LP of hers "Do right by me" and a couple of CDs. She was surprised and happy to see it.
Funny though was the reaction of a few kids in the room who have never seen an LP! They had NO idea what it was! LOL!
They never really caught on.
During the late 1950's, the high end chrysler had a phonograph in their cars (yes Highway Hi-fi). They played at 16 2/3 RPM. I guess the groves were so deep in the 16 2/3, that nothing could bump the old neddle out of the grove.
I didn't see the point of keeping my old scratched-up copy of Ziggy Stardust. But I did keep my Tones on Tail 12" Go! single printed on transparent red plastic, and my original 45's of the Normal and Pigbag. and perhaps 250 others.
I am a bit of a vinyl snob
Ever heard of vinyl-ROM? for a while you could get CorelDraw! installation on vinyl, but it never caught on.
Could they be worth something?
In most cases, no.
If you have deleted Smiths singles in excellent condition, you may be able to sell it for $50US in the right market. That mint-condition copy of Time Out by the Dave Brubeck Quartet is worth something. So is anything autographed, or exceptionally rare and desirable.
But your old dusty copy of Saturday Night Fever would go straight to the "10 for a dollar" bin. (sorry to disappoint you)
your best riddance option is a garage sale, or a bulk auction on eBay (look! my collection of 100 albums, bidding starts at $5, buyer pays shipping!)
If you suspect there's anything good hiding in there, get a friend to pick through it first and separate the wheat. We all have a friend like that. I once rescued a bunch of pristine Malcolm McLaren singles from a garage sale. Score!