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RGB to CMYK -> Dull & Dark Colors

Help!

         

bajingan

9:05 pm on Feb 8, 2005 (gmt 0)

10+ Year Member



I'm creating a design for my postcard on RGB colors with Photoshop. Then I realize that I need to convert the colors to CMYK first before getting it printed. But when I do that in Photoshop, the colors change dramatically. The bright purple on the background turns into a dull greyish dark purple. I try to play around with Photoshop but no avail. It's still dull and dark. What should I do? Purple is the color of my website so I can't change my postcard for branding purpose. Thanks.

monkeythumpa

9:23 pm on Feb 8, 2005 (gmt 0)

10+ Year Member



Since RGB uses emmitted light and CMYK uses absorbed/reflected light there are differences in the way colors are displayed. Without any more physics, basicly it means that the color on your monitor is the same as when it is printed out, it just doesn't "look" like it.

Do you have a Pantone book? Sometimes it is easier and more accurate to look at a Pantone color and match it up to your website than have the computer do the conversion. Your printer should have one, it is like one of those paint chip books at the house paint store. Then you will know which CMYK color most accurately conveys the branding of your website.

pmkpmk

9:27 pm on Feb 8, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member



Welcome to WebmasterWorld!

RGB and CMYK are both color spaces. RGB - a digital "computer" color space, uses the additive color mixing method. It mixes colors by adding different wavelengths. The colors in RGB are created by actively emitting light sources - like computer screens.

CMYK is an analog color space, originating from the printing industry. It uses subtractive color maixing, where the layers of paint act as a filter which subtract unwanted wavelengths and convert them to heat.

Even though you can transform RGB to CMYK with a simple formula, this leaves many aspects out. The most important thing are the different gamuts. A gamut [google.com] defines ALL the colors a device is capable to reproduce. Due to the different mixing models above, the gamuts of your RGB-screen and your CMYK-printer share only a very small common gamut. But each gamut has huge portions which do NOT overlap the other gamut.

ONLY colors in the overlapping gamut can be reproduced on BOTH devices without any change. Colors outside the joint gamut CAN NOT BE REPRODUCED on the opposing device! For example there are huge areas of blues and greens in the RGB gamut, which are simply not covered in the CMYK-gamut and can therefore not be printed.

Enter colormanagement. Color management can not overcome these limitations. Ther eis no way, colors outside a devices gamut can be displayed by that device. However, there are ways to trick the eye, to make a human watcher believe the colors are being reproduced. In order to do this, you need to change the colors in a subtle way. Most likely, you also change colors inside the joint gamut in a subtle way as well. The overall impression though is that the colors can all be reproduced, even though they are in fact all moved or shifted or transformed inside the destinations devices gamut. The process is called rendering, and the good news is that you do not need to do a lot of things. You only need to select the rendering intent, and here the best choice is to use perceptive rendering.

Yet you still need two things: color profiles. Those profiles define the capabilities and the gamut of the device you are working on. You need the source profile, which in your case is most likely sRGB. And you need the destination profile - and this one is shipped with your printer or can be provided by your service provider (e.g. your printshop). Those profiles act as a pair. When they are combined, they form a translation matrix which move the colors from one color space safely into the destination space.

However, even good color management can't do wonders. So as soon as you provide a destination profile, Photoshop will issue little warning-signs in the color-picker dialogues if colors are too far off to be printeable.

Hope that helps!

bajingan

11:06 pm on Feb 9, 2005 (gmt 0)

10+ Year Member



My goodness. It's sooo complicated. What kind of a profession that can do this for me? Graphic designer? I need to hire one.

Jon_King

11:17 pm on Feb 9, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member




Create print in CMYK to start with and there are no surprises.

bajingan

5:08 pm on Feb 10, 2005 (gmt 0)

10+ Year Member



I did. But no matter what I did on Photoshop, the colors are still much darker and greyish than the original. What are my other options?

monkeythumpa

7:09 pm on Feb 10, 2005 (gmt 0)

10+ Year Member



Get a Pantone Book or you can try matching it to these colors:

[bargainprinting.com...]

bajingan

10:49 pm on Feb 10, 2005 (gmt 0)

10+ Year Member



How does this Pantone Color Table work? I've found the color I want to be closest to PMS 252. What does it mean? What can I use this PMS number for? If I found the equivalent Pantone color like this, does it mean I will get the exact color in a CMYK print? Thanks.

rickwells

11:59 pm on Feb 10, 2005 (gmt 0)

10+ Year Member



This Pantone guide is no good for CMYK work. It just shows the solid printing ink colours. There are only four colours CMYK used (Generally) in the printing of photographic images.You need a Pantone book with the colour sample range made up from halftones of CMYK. By comparing your colour mix percentages in photoshop ( using the colour palette ) with the same percentages in the book, you can see how accurate the monitor colour is. Monitor calibration and colour profiles are a must for accurate on screen colour assesment. Regarding the dull CMYK colours, using the Hue/ Saturation controls can help. Sometimes you have to work in RGB to access certain filters but you can view the CMYK effect as you work by going to View>Proof Setup and ticking "Working CMYK" ( version 7 up ). You may have noticed that when using layer blending modes changing to CMYK will alter the effects. You must flatten the RGB file before converting to CMYK.

xdcp

1:06 pm on Feb 11, 2005 (gmt 0)

10+ Year Member



there is different Pantone books, you have to look at "pantone process", then try to find the most likely color you are lookind for, that is what you will get on the print.
you can also have another option using "special colors" or "pantoned spot"... but that will depend on what are you trying to print...
other option... get a designer to do the pre-press work! :)

Jon_King

3:01 pm on Feb 11, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member



As stated previously, the color space for RGB is larger than the space in CMYK meaning there are more colors in RGB to work with.

There is no way to match many RGB colors in print in 4-color CMYK. There are very good ways to accomplish more and brighter colors with 5th and 6th colors, talk to a decent litho printer and they will be able to help you.

If you look at the CMYK vs. RGB spectrum graphic here:
[dx.sheridan.com...]
you will see clearly that there are plenty of PMS and RGB colors not possible with CMYK.

lZakl

5:01 pm on Feb 16, 2005 (gmt 0)

10+ Year Member



Jon is right... even though CMYK is a 32 bit color system, the "K" is an "extra" color designed for clearer black printing. You could almost call it a "spot" black. Since C=100 M=100 Y=100 technically makes black, why the need for a black ink? Because if you used 100% of all colors C, M, & Y, it would technically be black, but this makes an awful mess when printing. It smudges and can bleed through the paper. The paper get literally saturated with ink.

So even though there are more bits per pixel in CMYK (RGB is 24 and CMYK is 32), it has a much smaller color gamut. So there are colors available in RGB that are not possible in CMYK. Use your Gamut tool in photoshop to help show what will not show in CMYK correctly. It's View-->>Gamut Warning. This helps people beginning with CMYK understand whe color limitations.

mivox

5:49 pm on Feb 16, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member



Short answer: there is NOTHING you can do to make a CMYK file as "bright" as an RGB file when looking at it on your monitor.

Try printing both the RGB and CMYK versions of the file, and see how big a difference there is in the output. Usually it's not much, because CMYK on your monitor is trying to "fake" how ink will look on paper, and RGB on your printer comes out actually looking like ink on paper... since that's what it is.

If your test prints come out looking OK when compared to each other, then you have nothing to worry about.

monkeythumpa

6:42 pm on Feb 16, 2005 (gmt 0)

10+ Year Member



It will take forever and use a lot of ink to "test" all the colors close to the one you want to find the correct one. Get a Pantone book (solid uncoated for most printing jobs) and find the color you want. It has all the CMYK info along with each color.

mivox

9:42 pm on Feb 16, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member



Oh, I wasn't suggesting using a desktop printer as a color matching machine... ;)

bajingan referred to working on one postcard file, and it would save a lot of time and effort if you're just converting one file between RGB and CMYK to do a quick test print.

Of course if you're doing color matching regularly, on a professional level, getting professional tools is the best idea. But if you're only doing print design ocassionally, and you mistakenly start a file in RGB instead of CMYK, checking the color conversion on your local printer is usually adequate.

Photoshop generally does a reasonable job of RBG-to-CMYK conversion anyhow, so unless you're really NEEDING to precisely match a given color, it's probably fine.

Bonusbana

10:18 pm on Feb 16, 2005 (gmt 0)

10+ Year Member



Never work in RGB space when working with print design. If you need a bright purlpe color - get a pantone formula guide and look up a purple pms color.

There is more to graphic production than fiddling around in photoshop in RGB...

lZakl

7:55 pm on Feb 17, 2005 (gmt 0)

10+ Year Member



Bonusbana is right. A CMYK color guide is your only key here. They can range from $49 to $800 US. I recommend it if you are serious about trying to match CMYK on your own graphics. Much easier than trying "test prints". Less time consuming, and every program that is a serious publishing tool accepts CMYK percentages as input to match your pantone colors from your guide.

-- Zak

bajingan

3:27 am on Feb 18, 2005 (gmt 0)

10+ Year Member



OK, my next stupid questions that I've been frustrated in finding the answers for:

1) How can I set up and use Pantone colors in Photoshop?

2) When working with Pantone colors, which mode should I set my Photoshop in? RGB or CMYK?

3) Can you do gradation between 2 Pantone colors? Can I have a drop shadow in Pantone?

4) What's the difference between Pantone Coated, Pantone Uncoated, Pantone Process, Pantone ProSim? Which one should I use?

Thank you!

mivox

9:41 pm on Feb 18, 2005 (gmt 0)

WebmasterWorld Senior Member 10+ Year Member



Always work in CMYK mode when doing print design. As Pantone are printers inks, they're all CMYK colors.

You can set the preferences for your color palette to display Pantone colors, I think...?

I personally use Pantone Process most often.

Pantone are not a special type of color... It's printing ink with the CMYK values listed so you can design print material and have the on-screen image look relatively accurate to the final printed image. You can do anything with Pantone colors in photoshop that you can do with any other CMYK color...

For specifics about a specific print job, I personally prefer to ask the printer I'll be using for their specifications, file type preferences, and any other specific information. They're usually more than helpful, because it saves them time and hassle when you bring in a file that already fits in with their workflow.