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World Copyright Summit If someone had given me a pound in Brussels this week for every time I heard the phrase "we don't want to make the same mistakes as the music industry", I'd be a richer man. Not by much, but enough for a round of drinks.
Every four years the world's copyright royalty collecting societies meet in Brussels, representing every kind of copyright business imaginable. Many (but not all) are run and owned by creative people themselves. These societies tend to be technology agnostic – if it moves, it can make money, which means they can be more open-minded than private interests wedded to one specific technology or format. Collection societies don't instinctively distrust new technologies; they're often the first to strike deals with new media businesses. The Summit was also the latest installment in a long-running feud with the EU, which regards the regional monopolies as an impediment to a Brave New European future. Creators view the EU's proposals as an impediment to getting paid.