| 12:24 pm on May 8, 2003 (gmt 0)|
Another great way to lighten and darken sections are the burn and dodge tool. You can get some real nice effects with these tools. As mentioned adjustment layers are awesome in PS. Place a layer over the image and you can do so much with just a solid color.
SHIFT+CTRL+ALT+S = Save for the Web. I use this more than anything.
Also if you use an effect over and over again make actions. I outline text constantly. So I created an action to do this and it is a huge time saver.
| 1:15 pm on May 8, 2003 (gmt 0)|
Lightening a dark image - thanks for that tip - I just had call to use it and it worked really well. Much better than fooling around with levels and contrast/brightness.
My tip - for a simple graduated effect on a picture select the layer that you want and add a layer-mask. Select the layer mask and use the gradient tool (linear). Pull the tool from the edge of the picture towards the centre while holiding the left mouse button. Try experimenting with different lenghts - this is great for graduating one image into another and other cool picture effects.
| 1:38 pm on May 8, 2003 (gmt 0)|
great idea! i can only contribute for photoshop, but these have really helped me:
1) colour code important layers and sets using the layer properties - helps enormously when dealing with complicated multi-layered graphics
2) CTRL ALT +/- to expand and contract the picture frame whilst zooming
3) double click the blank grey photoshop background to open the open-file dialog
4) TAB gets rid of all the menus so you can use the full screen area
5) CTRL SHIFT V - paste into selection - select an area, feather heavily and then paste another foto into it - great for blending fotos.
most of all, learn as many keyboard shortcuts as you can - this is the best way to speed up your work :)
<edit> added number 5) </edit>
| 1:43 pm on May 8, 2003 (gmt 0)|
|CTRL ALT +/- to expand and contract the picture frame whilst zooming |
thats much better than just ctrl +
thanks everyone - some great tips
[edited by: benihana at 2:10 pm (utc) on May 8, 2003]
| 2:08 pm on May 8, 2003 (gmt 0)|
and another timesaver:
ALT/CTRL BACKSPACE - fill with fore- or background colour
| 2:26 pm on May 8, 2003 (gmt 0)|
a few more that spring to mind are:
Option+Shift+L = Auto Levels
Option+Shift+B = Auto Contrast
Option+Shift+S = Save As
Option+0 = Open
Option+I = Invert
Option+0 = Fit on screen
F = Standard Screen Mode, Full Screen with Menu, Full Screen no menu
| 2:57 pm on May 8, 2003 (gmt 0)|
I use Photoshop for alot of my own products and in previous jobs - but alas I had to transfer to Fireworks for my current employer.
When I first joined I found a useful tool in fireworks to help me adapt from adobe to macromedia.
Edit Menu>> Keyboard shortcuts>>
The keyboard shortcut popup opens. In the 'current set' menu select photoshop. the differences were'nt huge but the familiarity of tools like zoom and select functioned the same :)
(also available in DW. All shortcuts listed - very handy)
| 7:21 pm on May 8, 2003 (gmt 0)|
L*a*b color space - my Swiss Army Knife
Many people never venture into L*a*b color space - but they're missing a boatload of usefulness.
One advantage of L*a*b is that ALL the lightness information is isolated in the L channel. This means all the detail is held in one place - giving many advantages for quick adjustments.
1. Sharpening in just the L channel avoids introducing color artifacts into the image.
2. Changing the contrast or levels for just the L channel can bring out new subtlety in an image. I first saw this in a photo of a forest in early spring. The varing shades of young growth green just popped right out with L channel adjustments.
3. Copy the L channel information and paste it into a new image - you now have a grayscale version of the original that looks much better than a grayscale conversion would generate.
Because there is no Lightness detail in a or b, these color channels can be blurred with a Gaussian Blur filter to a much larger degree than you would normally dare in RGB space -- without visibly degrading the image. The advantage? Greater jpg compression.
Take your image into L*a*b and blur both color channels, but leave the L channel untouched (you may be able to set the blur as high as 3 or 4 pixels!) Then return to RGB and save a jpg. It will be a smaller file than the same compression level would have created before the blur.
| 7:25 pm on May 8, 2003 (gmt 0)|
Sometimes you can make an ordinary image more interesting and dramatic by adding some depth of field blur:
Enter quick mask mode and select the gradient tool. Drag from the foreground to the background along (the imaginary) z-axis to mask the the objects in the foreground. Then switch to the paintbrush tool (B), and paint in the mask over any objects that need to stay fully in focus. Switch out of quick mask and use the gaussian blur filter subtley to blur the background objects.
This techniques of course depends on the time of image you are using - if you have an even distribution of objects into the background you cabn get away with just using the gradient mask, conversly if you you have one foreground object you could just paint that out with the brush.
I find this works well with greyscale images, but that might just be me :)
| 7:29 pm on May 8, 2003 (gmt 0)|
Great tip tedster - ill be trying that out tommorrow
| 8:24 pm on May 8, 2003 (gmt 0)|
tedster - just saved 2 kb on a foto of 20 kb without even trying. first time i have ever used lab.
nice tip, thanks for sharing :)